Launch Music Player Register | Login | Forum
close

Login


Password:

Forgotten your details? Forgotten details
Haven't got an account? Sign up now

close
Sound Exchange

The Sound Exchange
Back to the homepage


Philharmonia

Phiharmonia Orchestra Homepage
Visit the Philharmonia site for concert details and tickets


Shop

Philharmonia Online Shop
Buy Philharmonia Orchestra mp3s and CDs online

Sound Exchange

Sound Exchange Sequencer
Make music with our very own free sample sequencer

close

There are different ways for you to explore the Sound Exchange: choose from the options below (just fill in the ones that apply to you!)

How old are you (or your pupils):
I am:


What you are looking for:
I am looking for:

All Games
Music Resouces
Samples Videos

Save preferences?

Tell us who you are:
A Teacher
A Student
A Musician
A Composer
An Enthusiast

Bowing

Explained and demonstrated are some important bowing techniques to improve understanding of the violin. Arco indicates that the music should be bowed (as opposed to plucked). Notation: arco. It is assumed that a passage is bowed unless marked otherwise. However, once a 'pizz' indication has been given, 'arco' must be indicated for the next bowed passage. Where unusual bowing techniques are used, 'ord' will return the player to normal bowing.


Up and Down Bows

The up bow (traveling from point to frog) has a weaker sound than the down bow, and therefore is often used on on upbeats. The somewhat heavier down bow (moving from frog to point) is then used to emphasise the down beat in the music. Notation: There is no need to indicate bowing unless a specific pattern of up and down bows is required, in which case the symbols shown are used above the music. Experienced players can play up and down bows so evenly that it is often impossible to tell which is which just by listening. However, when a particularly heavy attack is required there is no substitute for a strong downbow.