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RANGE & NOTATION

Viola Range
Lowest and highest notes on the viola.The image opposite shows the lowest and highest notes on the viola. On the left is the lowest note, one octave below Middle C. The precise top note achievable will depend on the skill of the player. The one shown is suitable for a reasonably advanced player (Grade 8 ABRSM).

Top Notes
Intermediate (Grade 5): C, two octaves above middle C
Advanced (Grade 8): E, three ledger lines above the treble stave.
Professional: C, three octaves above middle C.

Listen!
You can listen to every note on the Viola and even download them by visiting the Sample Libraries.

Changing Clefs
Most viola music will be written in alto clef and make occasional forays into treble clef as the music gets higher. Composers need to know that players do not like to change clefs too often and so will only want to go into treble clef if the music is going to stay up high for a while. Changing back again presents similar problems and viola players will often mention that they do not like to read low notes hanging off the bottom of the treble clef - of course they can do it , but as a composer, you will always want to minimise anything that players may find distracting. Exact guidelines are dificult to give without going into a lot of detail, so the best thing to do is to show your music to a player and ask them to explain.
Why not ask your questions in the forum?

The strings of the viola.The Strings
There are four strings on the viola which are tuned a Perfect 5th apart. The lowest is C then G, D and A is the top string.

The lower strings have a richer, darker sound and to exploit this it is quite common for composers to write that a particular phrase should be played on a particular string. By writing Sul C (on the C) or Sul G above the music the player will continue playing on the low C or G string when they would otherwise have moved up onto one of the higher strings. The composer should know that one should not write Sul C more than one and a half octaves above the open string.

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