Suspended cymbals come in a large variety of types. Their sizes usually vary from 14" to 24". The larger the cymbal, the deeper and darker the sound. The weight of the cymbal can greatly effect the sound it produces. A light or thin cymbal will respond quickly where as heavier cymbals will produce bigger, larger sounds and resonate for longer.
Beaters: Soft or Medium Beaters (many have wound yarn heads), wire or Bamboo brushes
Cymbal Varieties:
Chinese Cymbal - Has upturned edges and has a very explosive attack.
Sizzle Cymbal - Sizzles because of rivets in the rim. These rivets vibrate in tandem with the whole cymbal.
Splash Cymbals - are between 6" and 12" and therefore relatively small. They are played for fast, 'splashy' accents of short duration.
Clash Cymbals
Orchestral clash cymbals have leather straps through their middles to be held by. They usually measure between 14 and 30 inches in diameter.
Technique - There are a variety of techniques for playing Clash Cymbals, including quiet clashes and swishes.
A smooth swish is made by rubbing the rims together.
A rough swish can be made by rubbing one rim against the other rough, grained inside of the cymbal.
The cymbals are either left ringing, or damped on the players chest.
Chinese Hand Cymbals
Not to be confused with a Chinese suspended cymbal, the hand cymbals are very small clash cymbals. They are made in a variety of sizes.
Sleigh Bells
Sleigh Bells are a collection of pellet bells attached to a leather handle or stick.
Technique - They can be shaken, or hit on their handle, with the other hand, to achieve a more rhythmic and defined sound. But remember - they are difficult to pick up and put down quietly!
Agogo Bells
Agogo bells are a pair of cone-shaped bells attached to a u-shaped handle. The two bells are different pitches, usually a 4th or 5th apart.
Agogos originate from Brasil and can be heard frequently in Samba and Salsa music.
Beaters: Any fairly hard beater
Agogo bells can be damped (with the thumb) to produce a drier sound. They can also be made of wood.
Bell Tree
A Bell Tree is a a collection of small bells suspended concentrically around a pole.
Teqchnique: The standard technique for placing the Bell Tree is a two-handed glissando. Individual notes can be sounded, though these are unpredictable in pitch.
Beaters: Any hard beaters
Tam-tam
Tam-tams (which are unpitched gongs) originate from
Beaters: Tam-tam beaters are usually quite heavy - usually wood covered in soft materials such as wool. Tam-tams may also be bowed and scraped carefully with metal objects. Xylophone or wooden bass drum beaters should never be used on a tam-tam.
Technique: The standard tam-tam hit has a 'blossom' on the sound, depending on the size of the instrument, the beater used and the strength of the hit. Non-standard techniques include rubbing and bowing the instrument.
The best place to strike a tam-tam is just off-centre, but you can strike it in the centre which almost produces a "pitch", or right on the edge which gives a very harsh sound.
Thai Gong
The Thai gong is a gong with a plateau head, which bends the pitch when struck.
Beaters: Soft to medium beaters
Triangle
The triangle is a single rod, bent into a triangular shape. It is open at one corner. Triangles come in a variety of sizes, up to about 6" or 8".
Beaters: You can get a mixture of sizes and weights, which therefore change the sound produced.
Technique: The triangle can be struck, rolled and damped. Using different parts of the triangle can produce different sounds, which can be discovered by trial and error.
Spring Coil
As its name suggests, a spring coil is a large spring, attached to a stand.
Beaters: Hard or metal beaters














