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Sound Samples / Sample History


The 90s

Computer keyboard

Computers
In the Nineties the computer replaced the tape machine as the hub of the recording studio. The computer could not only generate music whether from synthesized sounds or sampled sounds it could record at higher quality than was possible on tape.

Following on from this, recording companies and film studios discovered that the combination of sound sampling and computers was making it possible to avoid using real musicians, who were expensive and may not perform as reliably as a computer controlled sample.

So, in much the same way as the 70s saw the synthesizer become embedded in our sound world the 90s brought sampling and the digital manipulation of sound into almost everything that we hear and it's often there in very subtle ways.

Farinelli

Film Scores

On TV and in films, producers began to recreate the sound of orchestras with great accuracy such that it became difficult to tell if what one was hearing was a “real“ recording or not.

 

Sound Samples also became a new type of product which were worth a lot of money to studios. CDs of top quality instrument sound samples began to be sold specifically for this type of use, because even if a full set of orchestral samples cost the studio £2000 and takes a huge amount of studio time to turn into a film score that sounds orchestral, this may be cheaper than using a real orchestra.

 

Examples in film where sampling technology has been irreplaceable, aside from all the special effects of dinosaurs, light sabres and explosions has been in the film Farinelli where a man and a woman“s voices were blended together to recreate the effect of the opera singing castratos, of whom there are none alive, and so the technology was able to provide a perfect solution.

Fatboy Slim CD cover

DJs

The other big users of samples have been DJs and creators of dance music. The 90s saw a complete turnaround in the fortunes of DJs who had become rather marginal figures in the music world. Suddenly they were back and not just to play records, but creating and mixing music on the fly.

 

A major part of their revival has been to do with the extensive use they have made of sound samples. Frequently the samples used are not simply recordings of acoustic instruments, but will be samples of other pieces of music which they recycle and transform into something new.

 

These samples along with keyboards, drum machines and software synthesizers are also used extensively (joined together with the power of MIDI) to create “loops“.

 

Loops
A loop is a small pattern of sound such which may be sampled, synthesized or a mixture of the two and is constructed in such a way that it can be repeated over and over. These loops are then used as samples in their own right and are bought, sold, created and distributed by huge numbers of musicians all over the world, which brings us to another big piece in this technological jigsaw puzzle, the internet.

The Sound Exchange logo

The Internet

The evolution of the internet has enabled an explosion in the sharing of digital music samples. The widespread availability of the internet and the growth in musical creativity with sound samples has been the inspiration for the Philharmonia Orchestra to create its sample libraries and build The Sound Exchange.

 

One of the key aims of The Sound Exchange has been to make the sound of the Philharmonia Orchestra freely available on the internet, so that musicians who cannot afford £500 for a CD of woodwind sound samples might be able to obtain top quality samples with which to create their music.

 

Certainly as far as the Philharmonia is concerned, ever more people playing and creating music can only be a good thing for the future of music making and if they are using our sounds to do it with, so much the better.



Technology by BT Media and Broadcast
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