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Sound Samples / Sample History


Samples Today

Mobile Phone

Today sampling technology is everywhere and getting cheaper. Many peopleīs mobile phones are even capable of recording and manipulating samples. What the future holds is difficult to predict, but it is likely that just as online computer gaming has taken off we will in due course see the arrival of popular ways of play music online. Itīs already possible to play music interactively using the internet, but truly popular it ainīt, not yet. All it needs is someone to do for the internet what the Beatles did for magnetic tape.

In other areas of the media, the sample is just getting going and is set to continue to make inroads, but the technology has many other applications and will be at the centre of many other things that will effect all our lives apart from music, such as the ever increasing numbers of machines that talk.

harry Potter computer game

Orchestras: No Future?

People often wonder if all this sampling activity will replace the orchestra and live music. It is true that in the past 10 years, film recording work has decreased tremendously.

 

Cameron Mackintosh has even sought to replace half of the live musicians in his show, Les Miserables with digitally sampled, computer manipulated substitutes and church organs the world over are being replaced by karaoke type organs with thousands of hymns in their memory banks, but new markets usually open when others close and the sound sample business may be one example that continues to grow. Certainly mobile phone ringtones have become a huge and most unexpected growth industry.

 

Another new media area that has experienced massive growth over the past few years has been computer gaming, which has had some unexpected benefits for the Philharmonia Orchestra as we recorded the music for the Harry Potter computer games.

 

And why would a computer game have a real orchestra for its sound track and not a sampled one? Perhaps because the real orchestra sound is so rich, complex and subtle in its variations that you canīt really replace the real thing. Besides, if you can afford the real thing, why not have it?

 

Philharmonia Orchestra

Quality of Sound
Perhaps the main reason why the orchestra will survive is because of the unique nature of the live experience. No two performances are ever the same of course, but what also strikes people the first time they go and listen to a top orchestra is a sound unlike anything even the best samples or synthesizers can produce. You could spend a small fortune on hi-fi equipment, but it never comes close to the effect of a real orchestra for several reasons...

  • CD or radio sound is always compressed, because at realistic volume levels the quiet bits would be almost inaudible and the loud bits would blow the windows out of your house and entertain people three streets away!
  • The orchestra sound also comes at you from all angles: 100 musicians each creating their own individual sounds spread across the stage create a sound that envelopes and surrounds you in the music.
  • The sound is entirely pure and distortion free, something that no noise reduction system can ever improve on, only seek to attain.
  • Itīs not an īeither/orī situation the orchestra has accomodated all types of music, musicians and instruments over the centuries and someone adept with digital technology who feels they can use a real orchestra is welcome anytime. Have you got a plan? Just contact us!

But finally, the fact that the live orchestra is a real, breathing thing made up of individuals creating musical sounds for you personally, there and then, is something that will always be appreciated no matter how automated, digitised, and sampled our world becomes.

MJ



Technology by BT Media and Broadcast
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