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Sound Samples / Sample History


Sample History

phonograph

Origins
We are so used to hearing manipulated sounds that we are rarely aware of it any more. Imagine how today´s sound world would shock someone from the era before recorded sound, when all sounds were heard ´straight´ ie never reversed, stretched out, speeded up or transformed in any way.

In today´s digital world recorded sounds are utterly flexible and the ways in which they can be altered are limited only by one´s imagination and because the price of the technology required is getting lower all the time, ever increasing numbers of people are discovering the pleasures of creating music with sound samples.

The little bit of history that has brought us to this point is intimately bound up with the development of the modern world, spanning the development of the phonograph and moving pictures to the electronic and digital age in which we currently live. And at every step of the way musicians and composers have been right there, playing with the latest technology and always asking themselves, ´What can I do with this?´

That question, the entirely natural response of the creative musician, has been the main driving force that has brought us the incredible sound technologies we have today. This brief history of the sound sample aims to introduce some of the major themes, ideas and developments of the past 100 years of Sample History.

Laurel and Hardy

Early Days
A sound sample can be thought of as just a chunk of recorded sound that has been used out of its original context.

Since the earliest use of sound effects in film, sound samples have been used ´straight´ and would often go unnoticed in scenes of busy traffic, battle scenes or to create the sound of machinery and other things that could cause problems on a film set.

Sounds used in this way were not known as ´sound samples´ at the time, but they were the forerunners of today´s samples because of the way they were used.

However it was in comedy films and animation that the manipulation of sounds was most prominent. For example 1930s Laurel and Hardy films used not only the latest film technology to create spectacular effects, they were also able to enhance the comic mayhem by being at forefront of sound manipulation technology.

A marvellous example is the huge number of different piano sounds they used in The Music Box as they gradually destroy the unfortunate instrument. The piano prop used in the film is quite obviously not a real piano (it would have been far too heavy for a start) but the movie is filled with perfectly timed crunching, jangling and scraping piano sounds.



Technology by BT Media and Broadcast
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