Bruckner stands out from other 19th-century symphonists; his large-scale works demonstrate a unique fusion of conservative and radical elements, notably influenced by composers such as Wagner and Beethoven. He appended not only the title Romantic but even included a programme for the Fourth Symphony, sometime after composition. Though he later withdrew it, the scenario is a mediaeval Romantic ideal, where knights awaken to the sound of horns, rejoice and repair to prayer, before the inevitable hunt and ensuing festivities.
- I. Bewegt, nicht zu schnell
- II. Andante, quasi allegretto
- III. Scherzo. Bewegt - Trio: Nicht zu schnell
- IV. Finale: Bewegt, doch nicht zu schnell