He is a regular guest with many of the world’s leading orchestras, including the Philharmonia Orchestra, Czech Philharmonic, Leipzig Gewandhaus Orchestra, Stuttgart Radio Symphony (SWR), WDR Cologne, Orchestre Philharmonique de Radio France, The Cleveland Orchestra and the Sydney and Melbourne Symphonies.
Recent highlights have included Bohemian Legends and The Mighty Five – two major series specially devised for the Philharmonia Orchestra - and débuts with The Philadelphia Orchestra, Los Angeles Philharmonic, Vienna Symphony, DSO Berlin, and Russian National Orchestra.
2015/16 will see him make eagerly-awaited debuts with the Royal Concertgebouw Orchestra, Orchestra Filarmonica della Scala, and at the Vienna State Opera (a new production of The Makropulos Case directed by Peter Stein) and Frankfurt Opera (Il trittico). He also returns to Glyndebourne Festival in 2016 to lead The Cunning Little Vixen.
As a conductor of opera, he has been a regular guest with the Glyndebourne Festival since his début in 2008, conducting Carmen, The Turn of the Screw, Don Giovanni and La bohème,and serving as Music Director of Glyndebourne On Tour from 2010 to 2012. Elsewhere he has led productions for Opéra National de Paris (Rusalka), Finnish National Opera (Jenůfa), Royal Danish Opera (Boris Godunov), and Prague National Theatre (The Cunning Little Vixen and Rusalka).
As a recording artist, he has released six discs for Supraphon including a critically acclaimed live recording of Smetana’s Má vlast from the Prague Spring Festival. Other recordings include the Tchaikovsky and Bruch violin concertos with Nicola Benedetti and the Czech Philharmonic (Universal), and live recordings of Berlioz’s Symphonie fantastique, Strauss’s Eine Alpensinfonie and Suk’s Asrael Symphony with TMSO for Octavia Records.
Originally from Brno, Jakub Hrůša studied conducting at the Academy of Performing Arts in Prague, where he now lives with his wife and daughter. He is currently President of the International Martinů Circle.
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