Friday 17 Mar 2017, 1.10pm
St Gregory's Centre for Music, Canterbury Christ Church University, Canterbury
Syrinx is commonly considered to be an indispensable part of any flautist's repertoire. Many musical historians believe that "Syrinx", which gives the performer generous room for interpretation and emotion, played a pivotal role in the development of solo flute music in the early twentieth century. Some say Syrinx was originally written by Debussy without barlines or breath marks. The flautist Marcel Moyse may have later added these, and most publishers publish Moyse's edition.
The piece is commonly performed off stage, as it is thought when Debussy dedicated the piece to the flautist Louis Fleury, it was for him to play during the interval of one of Debussy's ballets.
Syrinx was written as incidental music to the uncompleted play Psyché by Gabriel Mourey, and was originally called "Flûte de Pan". Since one of Debussy's Chansons de Bilitis had already been given that title, however, it was given its final name in reference to the myth of the amorous pursuit of the nymph Syrinx by the god Pan, in which Pan falls in love with Syrinx, however, as Syrinx does not return the love to Pan, she turns herself into a water reed and hides in the marshes. Pan cuts the reeds to make his pipes, in turn killing his love.
Syrinx has also been transposed and performed on the saxophone and other instruments. It quickly became a piece of standard literature for the saxophone, and has been recorded on both the alto and soprano saxophones.