From the Canyons to the Stars: The Music of Olivier Messiaen

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Sylvain Cambreling

Sylvain Cambreling

Thu 23 Oct 2008, 7:30pm
Royal Festival Hall, London

Sylvain Cambreling conductor
Roger Muraro piano
Lauren Flanigan soprano

DebussyPrélude à l'après-midi d'un faune
MessiaenRéveil des oiseaux
MessiaenPoèmes pour Mi
ScriabinPoème de l'Exstase

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Please note choir and balcony seats are not available.

Colour and the musical expression of it ties together all four works in this evening’s programme. Debussy’s Prélude, opened up the sound-world of the twentieth-century. Depicting the dreams and desires flitting through the mind of the faun as he lies in the sultry sunshine of a hot summer’s afternoon it weaves a tantalising veil of colours and textures. Colour was also a lifelong passion of Messiaen’s and Réveil des oiseaux, for piano and orchestra (along with much additional percussion) is a glorious depiction of a dawn chorus of French birds. Poèmes pour Mi meanwhile is a celebration of love, an extraordinarily intimate and personal song cycle that celebrates the marriage of Messiaen and ‘Mi’, his pet name for his first wife Claire. Scriabin’s Poème de l’Exstase, a tone poem of great originality, with shifting sound colours that reflect the composer’s admiration of Debussy’s music, provides a glorious climax.

Find out more about the life and work of Messiaen on our dedicated resources website

Read Sylvain Cambreling's biography.

Read Roger Muraro's biography.

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