Register | Login |
You are currently viewing prices in Pounds Sterling Click here to see prices in Euros Click here to see prices in US Dollars
Basket (0)

close

Login


Password:

Forgotten your details? Forgotten details
Haven't got an account? Sign up now

close
Philharmonia

Philharmonia Orchestra
Back to the homepage


Sound Exchange

The Sound Exchange
Visit the Philharmonia's Education site


Shop

Philharmonia Online Shop
Buy Philharmonia Orchestra mp3s and CDs online

Sound Exchange

Sound Exchange Sequencer
Make music with our very own free sample sequencer

close

Concert Search

Use the form below to search for your ideal concert.

Each field in the form is related to each other, so once you have selected your chosen composer you will only be able see other options that are avaliable with that particular composer.

You can use the below fields to search for a concert between two dates. Alternatively, you can use our advanced search form.

You can use the list below to narrow down your search to a particular venue/city. Alternatively, you can use our advanced search form.

If you are interested in hearing a certain composer you can use the list below to find when and where we will be performing their music. Alternatively, you can use our advanced search form.

   

Please note Measha Brueggergosman will be replaced by Michelle DeYoung.

A Philharmonia Orchestra production in collaboration with Yeast Culture

A co-commission with the Gulbenkian Foundation, Lisbon and Konzerthaus Dortmund

Infernal Dance is supported by The Meyer Foundation

Reviews

The Guardian

Birmingham Post

The Times (subscribers only)

Opera Larks Blog

The extraordinary Duke Bluebeard’s Castle, Bartók’s only opera, is widely regarded as his masterpiece. Its world is sinister, dark and deeply disturbing. There are just two voices throughout, Duke Bluebeard and his new wife, Judith; the entire one-act opera takes place in the hall of Bluebeard’s castle. Judith opens the hall’s seven doors, one by one; each door reveals its own horror. In one, a torture chamber; in another, an armoury filled with bloody weapons; and in another, a garden where blood stains the plants’ leaves. The final door opens and reveals Bluebeard’s three former wives, who step forward and receive Judith into their eternally imprisoned group. This is chilling, psychological drama, one of the great achievements of 20th century music.

This production has been created by the Philharmonia Orchestra in collaboration with digital artist collective Yeast Culture. Specially created films will be used as video projections onto unusual projection surfaces, surrounding the Orchestra as it performs Bartók’s score. These immersive projections create an evocative atmosphere that suggests the different rooms in Bluebeard’s castle and the emotions of the two protagonists.

More concerts with Salonen:

{ved_submitform}

Esa-Pekka Salonen

Salonen conducts in London

May 16 2013, 19:30 - Royal Festival Hall

Esa-Pekka Salonen conducts an all Shostakovich programme including a concert performance of his unfinished satirical opera Orango

more info


Esa-Pekka Salonen

Woven Words, Lutosławski Centenary in London

Mar 21 2013, 19:30 - Royal Festival Hall

Esa-Pekka Salonen conducts Lutosławski's Les espaces du sommeil, with Matthias Goerne; Chain 2, with Jennifer Koh; Fourth Symphony and Ravel's Suite, Ma mère l'oye and La Valse

more info


Bookmark
Post to MySpace!
Add To Mixx Add To Reddit Add To StumbleUpon


Send to a friend

Your email:

Friends email:

Message:

The Orchestra
Orchestra

Find out more about the Philharmonia

Image description
Bártok Series: Infernal Dance

Throughout 2011 and 2012, the Philharmonia Orchestra explores the musical world of Béla Bartók.

Esa-Pekka Salonen
Esa-Pekka Salonen

Interviews and concerts with the Philharmonia's Principal Conductor and Artisitc Advisor