This concert is supported by Michael and Mercedes Hoffman
When Schoenberg was composing his Piano Concerto, his markings at the beginning of each movement suggested an autobiographical connection: “Life was so easy”, “Suddenly hatred broke out”, “A grave situation was created” and “But life goes on”. Although these markings were removed in the final published version, the underlying dramatic structure still affects the listener intensely.
Beethoven’s Symphony No. 7, with its driving rhythms and sparkling joie de vivre, is full of bright orchestral colours. The slow introduction to the first movement lays out the skeleton of the entire work, which is coloured in over the course of the work. The finale is based on a stamping peasant dance with ‘whooping horns’ providing a joyous climax.
Mitsuko Uchida's encore was Schoenberg's Sechs Kleine Klavierstücke, Op.19, No. 2
Reviews
The Times (4*) (subscribers only)
Click here to view an interactive online version of the Autumn-Winter season brochure.
More concerts at Royal Festival Hall:
Wagner 200 in London
May 22 2013, 19:30 - Royal Festival Hall
Sir Andrew Davis celebrates Wagner's bicentenary, conducting excerpts from Die Meistersinger and Die Walküre
Salonen conducts in London
May 30 2013, 19:30 - Royal Festival Hall
Esa-Pekka conducts The Rite of Spring in its centenary performance alongside Debussy's Prelude à l'après-midi d'un faune and Varèse's Amériques











