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The Meyer Foundation

This evening’s programme pairs two of Bartók’s most important works with one of the seminal musical icons of the 20th century. Cantata profana is a truly monumental choral work, rarely performed due to the sheer scale of its vocal and orchestral writing. Based on a Romanian ballad sung at the time of the winter solstice, it tells the story of nine sons who are turned into stags when they cross a haunted bridge while out hunting. By contrast with this rich tapestry of choral sound, the Music for Strings, Percussion and Celesta is sparse, eerie and other-worldly, using rhythmic power rather than melody to communicate its themes. The same rhythmic intensity, albeit a far more primal version, could also be said to characterise The Rite of Spring; Stravinsky’s ballets had a major influence on Bartók’s compositional style.

Infernal Dance is supported by The Meyer Foundation

Infernal Dance continues...

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Esa-Pekka Salonen

Infernal Dance: Concerto for Orchestra

Jun 23 2011, 19:30 - Royal Festival Hall

Esa-Pekka Salonen conducts at Royal Festival Hall. 

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Esa-Pekka Salonen

Infernal Dance: Inside the World of Béla Bartók, London

Oct 27 2011, 19:30 - Royal Festival Hall

Esa-Pekka Salonen conducts and Yefim Bronfman joins to perform Bartók's Second Piano Concerto.

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Infernal Dance
Bartók mini-site

Find out more about the Infernal Dance series on the Bartók mini-site

Stravinsky Rite of Spring

Stravinsky's brutal and paganistic Rite of Spring.

Gurrelieder

Buy Schoenberg's Gurrelieder on double CD.