The next concert in our Inspirations series with Esa-Pekka Salonen and pianist Pierre-Laurent Aimard, on Thursday 4 May, juxtaposes the music of Debussy and Boulez in an original way. Philharmonia Concerts Manager Natasha Riordan-Eva explains what will happen on the night.
When seen in isolation, colours can look beautiful, but flat. But when we see colours alongside each other, we see the connections between the different shades, the subtleties of how the addition of tones can create warmth or a sense of cold, light and darkness, and how colours complement each other. At our concert on Thursday 4 May, we delve into the sound worlds of Claude Debussy and Pierre Boulez and the beauty of this concert is the order in which the pieces will be performed.
Esa-Pekka Salonen has curated the order of the first half in which the works of Debussy and Boulez will interrupt each other; each piece will lead into the next without a pause and, like seeing colours together, the soundscapes of Boulez and Debussy will complement and inform each other:
BOULEZ Notations IV, for solo piano (1’)
BOULEZ Notations IV, for orchestra (2’)
DEBUSSY 'Gigues', from Images (7’)
BOULEZ Notations VII, for solo piano (1’)
BOULEZ Notations VII, for orchestra (6’)
DEBUSSY 'Rondes de Printemps', from Images (8’)
BOULEZ Notations II, for solo piano (20')
BOULEZ Notations II, for orchestra (2’)
DEBUSSY Fantasie for Piano and Orchestra (26’)
DEBUSSY La mer (24’)
The solo piano miniatures will be performed by Pierre-Laurent Aimard who is no stranger to this concept. In 2010 Aimard presented Collage Montage at the Aldeburgh Festival, a concert in which Pierre-Laurent chose various solo piano works and crafted them together to create a single line of music. Works bled into each other with the fluidity of watercolour paint and pieces you wouldn’t think had anything in common effectively became extensions of each other.
That concert has been at the back of my mind as I’ve been listening to the Boulez and Debussy works we will perform on Thursday. I’ve started to hear things in the music that I hadn’t heard before. Now I hear part of Debussy Gigues in the Seventh of Boulez’s solos piano Notations – is this really my mind hearing something new or am I actively seeking similarities? Do the piano Notations sound less harsh if they are heard in the context of the Debussy works? Does the Debussy sound more contemporary alongside the Boulez? Listen to our Spotify playlist and see what you think:
The beauty of presenting music in this order is that as the listener your ears and intuition are on high alert as you are transported to different sound-worlds. Whether you know these works well or whether you are a first-time listener, this concert will allow you to experience these brilliant compositions in an order that has been curated by Esa-Pekka Salonen, whoknows these scores inside-out and understands how they can be crafted together to create a one-off experience.
To enhance the atmosphere, lighting designer Colin Grenfell has created tailored lighting for the first half. We want the concert experience to enhance the experience, and the different moods of the solo piano and orchestral music will be reflected in the lighting. Surtitles will indicate when each new piece begins.
The opening of the second half is a step backwards in time from the Boulez. Debussy started working on the Fantaisie for Piano and Orchestra in 1889 when he was 27, and whilst there are hints of his later harmonic language the mystery of Images is not yet there. Fast forward a few years and we reach La mer: this is Debussy at the height of his creative powers. Sun shimmers on the water, waves crash and the wind tears through the sea. Salonen has said that ‘no matter how many times you have looked at every note [of La Mer]…it only sounds new.'
Debussy broke ground with this piece, and surprised his contemporaries who had thought they knew Debussy’s ‘style’. A fitting end to a concert devoted to two artists who took music to the edge, conducted and performed by two musicians who in turn continue to push boundaries.
Tickets for Inspirations: Debussy & Boulez, on Thursday 4 May 2017, are still a available. Click here to book tickets.
Image: Esa-Pekka Salonen conducts Stravinsky's Les noces, featuring Pierre-Laurent Aimard (right-hand side of the image) on 26 May 2015, as part of the Philharmonia's Stravinsky: Myths & Rituals series.